Malaga, Granada, and the Alhambra
As I climbed out of bed to look out of the window, this beautiful sight awaited me. As we are winding down this memorable trip, I wonder how I will adjust to views out of my windows that only change with the seasons. Even though we have spent many days with just the sea in view, I can attest to the fact that the sea has many moods that change throughout the hours of the day. The beauty of this early morning was an omen of the day to come.
We arrived in Granada and met our guide, Frederico. He was a lovely man, fluent in English, who was skilled in telling stories which heightened our enjoyment of what we saw.
He quickly pointed out the little street barriers in the shape of a pomegranate and explained that the Spanish word for that fruit symbolic of fertility is "Granada". As the tickets to tour the Alhambra are limited and sold out three months in advance, they are also for a specific time to help keep the crowds evened out during the day. Consequently, he took us on a walking tour of the old city and started to build the story and the anticipation of what we would experience once there.
The foundations of the Granada Cathedral were laid from 1518-1523 atop the site of the city's main mosque as part of the effort to literally bury the muslim influence of the past. After 181 years of building on the cathedral it stopped short, for financial reasons, of completing the two 81-meter towers that had been planned. We weren't able to take photos inside, but it was massive.
We then went into the plaza of this building containing a well where long ago, the camels came to drink upon the arrival of their caravan. Frederico indicated that it had been used as a home for the concubines of the sultan who had "aged out" of favor. He said they then took on jobs of responsibility in the community such as the collection of taxes and monitoring the measuring weights of the local merchants.
As we were nearing our scheduled time at the Alhambra, we got back into the minivan to ride up to the hilltop complex. We went first to the gardens which were installed in 1930. Frederico said that originally, the area around the fortress was devoted to vegetable and herb gardens and orchards, not to ornamental plantings.
Walking through the gardens brought new scenes of beauty around every corner. Even the walk-ways were whimsical and charming.
There are still vegetable plantings outside the walls, like this pea-patch. Alhambra means "the red one" which makes sense looking at the fortress walls. A precursor to the current complex was built in 889 on the remains of a Roman fortress, then ignored until the a sultan of the Nasrid Dynasty renovated it in the mid-13th century. It was made into a royal palace in 1333. When the Muslim dynasty fell in 1492, it was converted into the Royal Court of Ferdinand and Isabella and partially altered in the Renaissance style.
Adjacent to the fortress walls is this Palacio de Generalife, a translation of the Arabic, "Garden of the Architect".
The complex is surrounded by a dry moat. At it's height, the Alhambra walls sheltered a small city with mosques, shops, residences, and bathhouses.
When Charles V came along in 1526, he commissioned a new Mannerist style palace befitting the Holy Roman Emperor. After walking half-way around this square building, it was quite surprising when we walked in the door.
The interior of the Charles V palace is round and is reminiscent of the Roman colosseum. It was never finished because the money was needed for military campaigns.
In addition to the overall beauty of the gardens and buildings, I love the details of the decorations. The tiles which lined many lower walls seemed like inspiration for future quilts. M.C. Escher visited in 1922 and gained his inspiration for his tessellations.
The Hall of the Ambassadors was the great reception room. The sultan sat on his throne in the center archway opposite the door. The approaching visitor would be so blinded by the sunlight coming in behind the sultan, that he wouldn't be able to see his face, further heightening a sense of mystery and wonder.
The ceilings were largely made of carved and pieced wood with a heavenly star pattern. The one in the Hall of the Ambassadors is on the lower right. It has seven rows of stars taking the viewer into "seventh heaven".
The lions, symbols of strength, power and sovereignty, have internal hydraulics that enable the constant stream of water coming out of their mouths.
The molded decorations on the walls use both the arabesque style of intertwined flowers and leaves, and calligraphy made of Arabic phrases in a decorative font.
The conquering Christians sometimes made their mark on the palace with a kind of graffiti placed on or over the original decorations.
The view of a historic part of Granada was charming. The tall, thin cypress trees are such a visual contrast to the brown and white rectangular buildings. I would love to have another chance to explore this city in greater detail.
Here is our intrepid group of explorers: L-R is Tim, Bob, Carolyn, (Roary), Donna, Gilbert, and me.
After our very memorable day at the Alhambra, we retraced our steps through the mountains and along the Costa del Sol to the ship which sailed out of Malaga shortly thereafter.
The captain told us we would pass the Rock of Gibraltar just after 10:00 that evening. Yet another of the world's fabled passages that we have traversed.





Wow! Gorgeous!
ReplyDeleteConsidering the golden ratio, or the golden mean, who knows if 3X5 cards would not have disappeared if the length had been a little shorter. (Ha ha.)
I was grabbed by the top left carved wood ceiling. It really is dazzling.
Thanks so very much for these posts. I always learn so much and it is an aesthetic treat for my day to read them.